The vast sums of money transferred by the governments of wealthy nations to the governments of poor nations do not help the world’s poor, for the most part. Rather, such foreign aid serves to prop up corrupt dictators, finance a giant network of Western nonprofits, disrupt local markets, and keep many of the intended beneficiaries dependent and poor. Even private aid often has deleterious effects. Or at least Poverty, Inc., a 2014 film by Michael Matheson Miller of the Christian, free-market Acton Institute, plausibly argues those points. Continue reading “Hurting the World’s Poor in the Name of Helping Them—Poverty, Inc.“
The Martian is a tense action-drama focusing on the efforts of astronaut Mark Watney to stay alive on Mars after he is left behind in the course of a near-future mission.
Readers of Andy Weir’s novel The Martian (which I reviewed for Objective Standard) knew that the science presented in the film would be highly realistic. (The major exception is the opening dust storm, which, as Weir has granted, is much more powerful than is possible in Mars’s thin air; Weir strayed from the science here for dramatic effect.)
We knew that the story would be a tense action-drama focusing on the efforts of astronaut Mark Watney to stay alive on Mars after he is left behind in the course of a near-future mission.
We also knew that the characters, particularly Watney, would be colorful and engaging.
What I did not know is whether the film would be very good. On one hand, it’s directed by Ridley Scott, and it stars Matt Damon and a superb supporting cast, so what could go wrong? On the other hand, lines such as Watney’s remark, “I’m going to have to science the s**t out of this” (added by screenwriter Drew Goddard, not Weir), could have come across as hokey in less talented hands. Was this film going to bring Weir’s enthralling tale fully to life or paint it by numbers?
I loved it. The film version of The Martian surpassed my hopes, which started out pretty high. I had been excited about the film since I first heard about it after reading the novel. In some ways, the film improves on the novel, as with its better-developed ending.
True, after an intense opening sequence, the film progresses a little slowly. But it builds steam as it develops its characters and reveals the enormity of the challenges that Watney faces. This is not your typical high-explosion, constant-motion (but ultimately meaningless) action flick; it is a story that is both exciting and deeply human.
Matt Damon is excellent. He nails the intensely emotional scenes as well as the funny ones. All of the lines, many of which a lesser actor would have bungled, come across as authentic and in-character—even the pirate jokes.
Among the supporting cast, standouts include Jessica Chastain as the mission commander who plays a pivotal role in the rescue effort; the always-outstanding Chiwetel Ejiofor as a NASA official; Mackenzie Davis as a young NASA satellite operative who first discovers Watney is still alive; and Donald Glover as an innovative astrophysicist who hatches a plan to bring Watney home.
Also, Sean Bean has a nice role as the earth-stationed flight commander—and he doesn’t even die!
Both the Martian landscapes and the scenes in space are gorgeous. Watching this film, it’s easy to imagine yourself on Mars.
I love Watney’s determination and his sense of humor under enormous pressure. But mostly I love The Martian‘s glimpse into the future of space colonization that we humans are destined to have—if only we choose to strive for that future. This is probably the most enjoyable film I’ll watch this year—and it may the most important film of the era.
The Fall 2014 issue of the Objective Standard features my reviews of the following works:
Edge of Tomorrow, directed by Doug Liman, starring Tom Cruise.
The Martian, a novel by Andy Weir (soon to be a film).
Star Trek: First Contact, directed by Jonathan Frakes, still my favorite Trek film.
I loved all three of these works. Check out my reviews (the second two of which are partly behind a paywall, so feel free to subscribe to the journal).
A Chinese film reviewer for Douban.com wrote of Captain America: The Winter Soldier that the hero’s enemy “is the very country he loves and protects. To love one’s country isn’t the same as loving one’s government: This is the main draw of Captain America.” This translation comes by way of Warner Brown’s article for Foreign Policy (via Edward Gresser via James Pethokoukis). (I checked the original in Google Translate, which produced a bit of a jumble, but the translations seem to roughly square.) Of course, Captain America’s enemy in the film is not the “country he loves”; it is instead a corrupt group controlling the country’s government. By defeating that group, Captain America saves his country. Hopefully that message is appealing to Americans and Chinese alike.
Boulderite Nicole Perlman has exactly one credit to her name at IMDB, but it’s for co-writing Guardians of the Galaxy, a film that made $94 million its first weekend. Not surprisingly, she how has an announced second credit, for Black Widow. Time has out a remarkable article on how Perlman broke into the “guys’ club” of sci-fi script writing. Congratulations to Marvel for recognizing her talent. What caught my eye is that Perlman has also written biopic screenplays about Richard Feynman, Neil Armstrong, and the Wright brothers—I hope somebody funds those films, because I’d love to watch them.
How could a movie featuring a talking raccoon, a walking tree, a green lady, a overly-literal hulk, and a guy named “Starlord” be any good? The latest Marvel outing makes such a film work with Guardians of the Galaxy by blending silly humor with heartfelt drama and plenty of action, featuring great actors, and hiring a great effects crew. Sure, the premise is a little thin—the story revolves around a small magical rock—and the universe is sometimes mind-numbingly complex. But at its heart Guardians is a buddy film, and the friendships work. The Associated Press reports the film will earn an estimated $94 million on opening weekend. Paul Dergarabedian of Rentrak told the AP, “[F]or Marvel to have four films this year [including Guardian] open with over $90 million is amazing. It’s unprecedented success.”