The final film based on J. K. Rowling’s novels, Harry Potter and the Deathly Hallows: Part 2, is a fabulous movie, featuring great production and effects and fine acting. I especially enjoyed the addition of Ciaran Hinds as Aberforth, Albus Dumbledore’s brother. Michael Gambon turns in his best performance as Albus, and it is wonderful to see Gary Oldman (briefly) return as Harry’s godfather.
My wife and I watched the double feature, and viewing the two parts back to back was definitely the way to go. The second part returns to Dobby’s grave, giving his death some of weight and emotional impact lacking in the first part.
We saw the film in 3D, which seemed distracting at first, but I quickly got used to it. I didn’t think I’d enjoy the 3D, but it did give the both the architecture of the castle and the interactions of the characters lifelike depth.
The rest of this review contains spoilers.
After the three leads leave the safe house on the beach, their first major test comes with breaking into Gringotts bank. Here the effects and cinematography become especially stunning with the rail ride to the vaults. Helena Bonham Carter, still dressed as Bellatrix, carries Hermione’s persona perfectly, and her misplaced courteous vulnerability creates a lot of fun. (Also, Emma Watson’s Hermione looks awesome in the black witch’s dress.)
Soon we meet Aberforth outside Hogwarts castle. Unfortunately, while Ariana Dumbledore’s image appears in a painting, we learn little about her backstory. Thus, the film leaves viewers mostly ignorant of Albus’s past mistakes and redemption, something central to the final novel. True, even a two-part film must omit some elements of a lengthy novel, but the film devotes a hefty sequence to a trivial exchange between Harry and a Hogwarts ghost.
The trio’s return to the school and reunion with the other students bear the expected excitement and triumph.
The first battle sequence plays forcefully, filled with drama and impressive effects. This transitions well into Harry’s eventual confrontation with Voldemort. Snape’s backstory, including his love for Harry’s mother, comes across exceptionally well. (Much of the last half of the film drew audible sobbing from among the audience, largely due to this sequence.) And Alan Rickman performs the part in tragic beauty; he’s perfect, really. And both the resurrection of Harry’s parents and guardians and the King’s Cross segment come across very well.
Unfortunately, I thought the film muddles the final battle a bit. For no reason that I can detect, the film alters Neville’s killing of the snake, and it totally discards the final public dialogue between Harry and Voldemort. That’s too bad, because that meaningful exchange serves to educate the partisans of both sides about the basic facts concerning Voldemort and Snape.
I really enjoyed the epilogue, except it inexplicably shortchanges the son of Lupin and Tonks, wasting the earlier setup of his appearance.
In all, it is a great movie and a deeply emotional and satisfying conclusion to the series.
For in-depth analysis of the themes of the novels, see my book, Values of Harry Potter.